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Prabhas starrer ‘Saaho’ begins filming high octane action in Dubai

Prabhas starrer ‘Saaho’ begins filming high octane action in Dubai
Written by Shubham Dwivedi

‘Saaho’ is a massive film and Prabhas needs something like this after Baahubali. A follow up to Baahu is a bit difficult but he is certainly going to try with stylistically designed epic Saaho. Makers have started a massive action sequence in Dubai and apparently it will be one of the best Indian cinema has ever seen. They are putting huge budget out for this sequence which also have fancy cars involved in it and shall turn out to be one of the most highlighted sequence from the entire movie.

Neil Nitin Mukesh, who is playing an antagonist in the film is also in Dubai all geared up for the shoot. It might be the climax or pre-climax scene of the film since makers are really invested in it. Prabhas has only done Baahubali franchise in last 6 years hence it would be a little challenging for him to dwell into a new character. Set of Baahu could not be any less than a trans state because it is a period film with horses and kings all around while Saaho is extremely modern car chase and smoke bursting sleek thriller with ultra modern gadgets.

Prabhas did not see a car on the shoot of Baahu for five years which is certainly unnatural for today’s day and age though Saaho has a lot of it. Makers have collaborated with T-Series to extend their hand in North Indian distribution of the film. Karan Johar’s Dharma Production must have made quite a bank in North India with Baahubali and producers are expecting something similar from Prabhas again though it would be rather to unfair to compare any film’s box office with Baahubali. Prabhas now has the immense pressure for delivering insane numbers through the ticket window but every film comes with it’s own fate and demands.

About the author

Shubham Dwivedi

A professional journalist, passionate cinema fanatic. Alive and kicking upto the standards of entertainment beat and i always take the life one friday at a time.

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